I subscribe to an excellent podcast called The Candid Frame  that features hour-long interviews with photographers, and recently listened to an episode dedicated to photographer and filmmaker Cheryl Dunn, who has directed a fantastic documentary on New York street photography called ‘Everybody Street’ . It inspired me to seek out the film itself, which I’ve just finished watching.
It’s made up of interviews with contemporary photographers, plus some old hands from years gone by (including a sprightly 98-year-old, Rebecca Lepkoff, active since the 1940s), mixed in with art historians waxing lyrical about legendary practitioners no longer with us.
It serves to illustrate the extremely broad church that is “street photography”, even in a city like New York where the cliché of the gritty black-and-white street aesthetic was made famous. Yes, there’s a lot of the ‘classic’ (/cliché) street style but looking closer you see much variation and originality:
- From very broad ‘anything goes’ subject matter – whatever was happening on the street (Joel Meyerowitz, Elliott Erwitt, Jeff Mermelstein)…
- … to very specific projects (Bruce Davidson and subways; Boogie and gangs; Jill Freedman and cops/firemen; Martha Cooper and graffiti artists)
- From very serious subject matter (social injustice – Clayton Patterson, Helen Levitt, Jamel Shabazz)…
- … to very humorous (Erwitt I was already a fan of, but the revelation here was Mermelstein – some really lovely work)
- From deliberately requested and posed portraits (Patterson, Shabazz, Mary Ellen Mark)…
- … to the frankly obnoxious in-your-face style of Bruce Gilden
I warmed to some photographers much more than others – just seeing his photos beforehand had made me think that Gilden’s style wasn’t for me, but to see him in practice confirmed my worst suspicions – he really does stick the camera and flash right up in people’s faces without warning. I’m not surprised he gets into altercations now and again – he deserves it! Ricky Powell came across as a bit of a loud character, a bit stereotypical Noo Yawk for my liking, and his portfolio was a bit celebrity-heavy for what is supposed to be a street photography film.
But these are minor gripes for sure. In all, I found it to be an invigorating, educational and insightful film, and one that I’ll watch again.
I thought it might have been too focused on New York the city and therefore not really connect with me, but thankfully I was wrong – it’s very much about the photographers and their work, with NYC as their canvas. What they all do with it is actually quite different.
Highly recommended for anyone with an interest in street photography – or even just photography in general. It’s an insight into the minds of an eclectic bunch of photographers. And one of the things about great photographers is that you’re not just admiring the end results of their work – you’re admiring the way they see the world. This film really brought that home to me.
- The Candid Frame (podcast) http://ibarionex.net/thecandidframe/ [accessed 16/06/2014]
- Everybody Street (film): Dir. Cheryl Dunn http://everybodystreet.com [accessed 16/06/2014]