Choose two or three buildings or spaces designed for a particular activity that is undertaken from a specific, distinctive, position. For each location, take one or more photographs that attempt to capture the user’s point of view. Consider height, orientation and lens focal length (which controls the angle of view).
1. Terrace at Promenade de Paillon, Nice
Promenade de Paillon is a huge public space in the centre of the city of Nice. It’s main attraction is a vast open fountain with water jet displays throughout the day (which may be one of the subjects of my assignment) but here I am focusing on the covered terraces off to the sides of the space. To the right is a photo of one of the terraces from the outside, just to set the context for the photos that follow.
The interesting aspect of the design of the space is the seating: rather than have fixed benches or individual seats, they have taken a rather novel approach and fixed chairs by one leg to the ground and a swivel mechanism allows each chair to be rotated on tracks in a 360º circle. this allows people to create their own seating combinations, within reason: you can be alone and face whatever direction you want; you can face one another; you can have up to four people facing each other in a square.
So in effect, the user has a choice of viewpoint, as can be seen in the examples below.
2. Picnic area
I was trying to think of an activity that one performs low to the ground and after a while the idea of a picnic came to me. You could define the ‘space’ as either the picnic area broadly, or the picnic blanket specifically – either way, I think it meets the criteria of an activity performed from a distinctive position.
I took pictures from two slightly different viewpoints: sitting on the ground, looking down slightly; and flat to the ground, lying down (as that’s how I like to relax on a picnic, personally…).
3. Viewing platform
For the final user viewpoint I chose a viewing platform at the highest point on the Colline du Chateau (Castle Hill) in Nice. I was in two minds as to whether to use this, as it’s potentially just a cliché of a tourist shot. However, I did take it specifically from the platform designed for viewing the panorama (I even stood on the step of the coin-operated telescope put there for exactly that purpose) so I felt it did meet the brief. I deliberately left in the pointing hand of the tourist explaining the view to his son, as I reckon it helps to demonstrate the user-centric view a little more.
What I’ve learned
I found this exercise a little tough to get into. It took me a while to think of ‘distinctive viewpoints’ linked to specific activities. As ever when short of inspiration, I researched what other students had done. However, for once I found this largely unhelpful and frustrating as very few students seem to have correctly grasped the brief in my opinion, instead taking pictures from a particular viewpoint of their choosing but not one designed for a particular activity. I was determined to find locations that better fit the subtleties of the brief than (for example) looking out of a particular window in a generic room. On a short break in France my mind relaxed somewhat and a few ideas came to mind, thankfully.
Anyway – what did I learn in the exercise itself? This is probably the first time I’ve consciously put the camera in a distinctive position (height, distance, focal length) in order to capture a specific vantage point, although maybe I do that naturally in most situations when I lift the camera up to my eye. In doing this exercise I came to better understand how choosing a very specific viewpoint can enhance the viewer’s engagement with the image – seeing it though the eyes of another. It should help form a connection between viewer and image. Whether I’ve succeeded with my attempts here is another story.
One thing that I wish I had done more of is to consider the effect of the focal length on the viewpoint; I took all of these with an 18 mm lens (27 mm EFL) as I was trying to capture a wide sweep of a view in most cases. However, with hindsight I should have tried some of these subjects with my 35 mm (53 mm EFL) as this is more like a normal human field of vision – which could further help the approximation of the user viewpoint. However, I now don’t have the opportunity to reshoot for several weeks, so I’m going to leave them as they are!