Take one or two locations where you can conveniently return a number of times in different lighting, and photograph on each occasion. To get full value from this exercise, consider making two variations of photograph. In one, set the camera up in exactly the same position each time. In the second, see how the different lighting conditions suggest different viewpoints and compositions. The way the shadows fall, for instance, will create different masses of dark and light.
I had a space in mind for this straight away: the summer house we had installed in our garden last year. We positioned it exactly where it sits, with the doors and windows where they are, specifically to catch the late afternoon sunlight. So it was interesting to methodically go through an exercise of photographing it at different times of day to see how it changed in different lighting conditions.
09:00 and 11:30
I actually took several shots at different times on different days and to be honest up until early evening they all looked very similar, as the light was fairly even and flat throughout the day at the position in the garden. Here I simply chose two representative shots of the summer house in fairly plain sunlight.
The location really starts to come alive early evening, when the sun starts lowering in the sky to the west. Strong slanted shadows appear in parts of the space.
19:00 and 19:30
The first one here, ’19:00 back wall’ was taken at the same time as the next one ’19:00 chair detail’, and I included both here to show how localised the light effect was that evening… a few metres apart and one looks as flat and even as the daytime shots and the other bathes in a shaft of sunlight throwing a strong shadow onto the wall. ’19:00 sunny’ was a different day and the sunlight is permeating a much broader spread of the room this time. ’19:30 armchair detail’ shows the light coming through the side window and illuminating one specific chair.
On this particular day the golden hour sun was particularly warm, making parts of the room glow. I included an outside shot too, to show the warmth of the sun on the outside wood.
What I’ve learned
In some ways this was similar to exercises I’ve done before, on the Art of Photography course. This time around I decided not to do it in such a structured way (shooting on the hour all day from exactly the same spot) but rather to use the differences in light to pick out the aspects of the space that support its use as the light changes. It’s a relaxing space anyway, but when the sunlight bathes it in the evening it takes on a specific glow that makes the place feel warm and calm.
The combination of the location, its usage and the light is something that I hadn’t necessarily thought about consciously before, but the exercise has taught me to consider lighting as one of the factors in being able to effectively ‘tell the story’ of a particular space.