In contrast to the usually-empty place from the last project, some locations are almost always busy, with a constant flow of traffic. Choose a busy location, interior or exterior, and find a viewpoint that will give you a satisfying composition as well as a good sense of the nature and function of the space.
Spend some time watching how the flow of people works — the patterns they make, any surges or lulls in movement and numbers — and how this can contribute to the composition of the shot. Aim to show the ‘busyness’ of the place, which might involve altering the composition, perhaps changing the focal length of lens, or experimenting with a slow exposure.
A few shots from the archive
As per the last exercise, I was helped in my preparation for this by looking into my own archives for shots I’d already taken that met the criteria.
New shots for this exercise
I selected three shots that I felt demonstrated the idea, using different techniques and shooting angles.
1. King’s Cross
I’m not normally a big fan of long exposures to denote movement but I concede that this scene does suit the treatment. The contrast of the moving figures and the stationary ones is what makes this work for me. You can discern the differing speeds of movement and this helps to get over the effect of ‘busyness’. Shooting wide and high suited this scene and helps to achieve the desired effect.
Rather than repeating the high / wide / long exposure technique, for this I tried to get right into the thick of the crowd, to give the effect to the viewer of being there. To me this one has the feel of a river of people flowing towards the viewer.
What intrigued me about this is that it appears that there is a queue of people walking single file, following the woman in front. In reality they were all randomly walking in their own directions individually or in couples, but in this split second I have captured the effect that implies what I imagined.
What I’ve learned
This was harder than it looked. I didn’t want to resort to long exposures for all my examples and so had to think of other ways to visually imply not just the people but the movement – the ‘busyness’. Although I’m not a huge fan of the technique, I think it’s more successful in the slow shutter speed example than the other two.