I first heard of Saul Leiter when I was studying the Colour section of Art of Photography about a year ago, and I heard about this film “In No Great Hurry: 13 Lessons in Life with Saul Leiter”  at about the same time. Sadly, just as I was discovering his work, the great man passed away. He’d reached the grand old age of 89 so he had a fair old crack at life, you must admit. I made a mental note to track the film down, and only came back to this mental note quite recently, I confess!
This 2012 documentary, produced and directed by filmmaker Tomas Leach, is a respectful and fitting tribute to the man. Leiter could have been one of the most famous photographers of his era, and is rightly feted as a pioneer of colour photography. His best work is street photography with a lyrical twist, painterly almost to the point of being abstract in some cases.
I have a Saul Leiter book on order, and when it arrives I hope I’ll find time to write more about the photography itself. In the meantime, I guess this post is more about the film, and by extension about Leiter the person as well as the photographer. It’s not so odd to watch a documentary about a photographer and get some interesting insights from the segments between the photographs shown – you can (within the constraints of the editing process…) get a good feel for the person, how they think, how they act, how they see the world.
They’re not really ‘lessons in life’ at all, it’s a thin construct around which to hang an interview that took place over a period of time when the ageing but still sparky Leiter was sorting through a very messy apartment that housed his photographic archive. The photos he found only occasionally enter the narrative – for the most part it’s simply a gently-paced character portrait. He was a very friendly, peaceful, softly-spoken and most of all modest man. Modest to a fault – he could have, if he wished, been much more well-known than he was. He was very content to be ‘uncelebrated’ for most of his life. Not that he was truly ‘undiscovered’ in Vivian Maier style – he did commercial work in the 1950s, including Harpers and Esquire. But he chose not to pursue the fame and fortune.
He comes across as dismissive of the attention he received at the very end of his life, but you get little glimpses that he secretly enjoyed it – his face when Leach plays back some rough footage says as much.
So what did I learn, from a photographic point of view? That being a painter as well as a photographer gives you a different view on the world; that more subjects suit the vertical format than I thought (he shot almost exclusively in portrait ratio, something I subsequently found he has in common with Ralph Gibson); and that you can find abstract beauty in the most unexpected places.
My favourite quote of the whole film:
“My photographs are meant to tickle your left ear. Very lightly.”
(I think I actually know what he meant, too)
- http://watch.innogreathurry.com (accessed 06/10/2014)